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Visual flash, however, isn’t all you need for a good movie. And the robotic CGI on screen is almost equally impressive. His vision of a futuristic Japan filled with flashing lights, dazzling colors and enormous holograms leaning out from every rooftop and building front is wow-worthy stuff. And it shows.ĭirector Rupert Sanders’ painstakingly rendered take on the tale is nothing if not aesthetically appealing. So translating that kind of anime sci-fi heft into something live-action surely wasn’t taken lightly. And that classic has since been called a cinematic inspiration by many an American director-including the Wachowski siblings of Matrix movies fame who adapted several of the movie’s concepts. Ghost in a Shell started out as a very popular Japanese manga which was turned into a much-revered animated film in 1995.
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(A machine slowly puts her tech innards back together and coats her in synthetic skin.) We also see her exert so much effort that her internal mechanics literally tear out through her skin at one point. We see her after a huge explosion has blown off parts of several automated limbs and left her stomach and chest ripped open. A prisoner purposely hangs himself in his cell, the camera cutting away just before he snaps his own neck.Īs for Major, we see her fight savagely and she’s wounded a number of times. A woman is suspended by the small receptacles on the back of her neck. A man is lifted by his head by a large machine. Someone is chained up and repeatedly tortured with an electric cattle prod. We see someone’s exposed brain injected with a fluid. A man has wires jammed into small receptacles on the back of his neck: We watch as his brain is wiped and his eyes turn white. People are shot and killed in a restaurant. There are a number of small gun battles in the city streets. A woman has her enhanced eye plate ripped out of her face. When we see him next there are scars around his forehead and his eyes have been replaced with small metal lenses. An explosion sends a wounded man writhing to the floor. Then several of its trapped passengers are shot, point blank.Ī gunfight breaks out in a thug-filled nightclub, killing and wounding scores of patrons. A large garbage truck smashes into a car, sending it tumbling and crashing into a wall. It cripples a cyborg that’s later shot in the forehead. And while we’re never splashed with truly gory visuals, the explosions, high-caliber projectiles and large vehicles involved can fill scenes with quite a bit of intense, duck-worthy action.Ī heavily armored “spider tank” rips an old concrete-and-steel factory to shreds. She has to find a source and rip out some answers, if necessary.įortunately, she’s been built to do just that.Īll the robotic and enhanced human abilities we see in this pic open the door to superhero levels of destruction. “Collaborate with Hanka robotics and be destroyed!” he tells her through several cryptic sources.Ĭould there be some kind of connection between her and this elusive character? Should she be trying to communicate with Kuze rather than hunting him down? Is it possible that the truth of her past might be more complicated and, perhaps, diabolical than she was told? In fact, the only words of advice she’s received have come from the very man who she’s been pursuing.
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Worst still is the fact that no one seems to be willing to give her any help or answers about what might be happening. They make her want to ask more probing questions … about herself. They appear to be pieces of a puzzle that her brain wants to try to assemble. And if that wasn’t enough, her own cyborg self has begun experiencing problems.Įver since she’s been working on finding this hacker they call Kuze, she’s been experiencing flashes of what she can only categorize as “memory glitches.” She’s seeing objects and activities that aren’t really there, but that she definitely recognizes. Major’s home city and Hanka itself has been under attack from a cyber-terrorist with incredible skill. With her augmented human partner, Batou, and others on their Section 9 team, she’s been busting the world’s worst criminals ever since. Fortunately, the Hanka Corporation was in the midst of cyborg trials and they were able to insert her undamaged brain into its new robotic home. They told her that she was once a young woman nearly killed by terrorists. A unit assigned to help the government’s counterterrorism agency, Section 9. She simply woke up and there she was, a new construct: a replaceable-parts robotic super soldier with no physical feelings or memories. Not that she really knows anything other than that existence. Major is the first of her kind: a true blending of a human brain with a completely mechanical body.